Art part of “American Queen” series (Photo courtesy of Davis)

“Too many Basquiats. Not enough new artists.”

Black acrylic etches the lines of the first five words atop three stacked yellow crowns that run down the canvas’s vertical. The letters of the last two words—arguably the most prolific—are bold white on top a banner of black at the end, serving as the eyes of a symbolic queen. The background is a sea of baby blue with random strokes of white, red, navy and yellow.

In a way, Tiffany Davis’s anchor of her “American Queen” series—and the series itself, which includes “Never Condense Art,” a spin on Andy Warhol’s infamous soup cans—is both reverence and dismissal. For her series, the 29-year-old West Philadelphia artist (who goes by American Queen TJD (Facebook page)) takes elements from her favorite artists—like Jackson Pollack’s splashes or Jean-Michael Basquiat’s crown—and treats them as foundations for a larger purpose. Davis then washes the distinct trademarks away with her own deeply felt abstract expressionism—each canvas a kaleidoscope of color and words that call to a greater mission.

“Anybody can reproduce anything that Basquiat did, but why would you want to do it?,” Davis said, talking from her hotel room on Sunday as she waited for the Eagles game to begin. “I can probably make a name for myself [if I called] myself the female Basquiat, but why should I have to do that?”

Davis, who works during the day as a program director at Drexel University, hung up the hats of her successful fine art-cum-clothing line Cocky Persona last year in order to concentrate on the canvas-based visual work. It’s art that projects a message, with all canvas infected with the moments taking place in her life or in the world at large. (Her next string of pieces will reflect her recent trial — losing her rented South Philly home this past weekend to a fire. The day of our conversation, she was in the process of moving back to her childhood home at 56^th and Larchwood.) You can read it in the words that brand each canvas, like “Waste no time. Live,” “Breathe. Passion proves itself,” “Love you first,” or “Worth, state of mind”—positive reinforcements from the gut.  Continue Reading

Editor’s Note: West Philly Local is proud to present the third in a series of vignettes of local block captains drawn from Them That Do, a multimedia documentary project and community blog by West Philly-based award-winning photographer Lori Waselchuk. Check Them That Do for more information, updates and additional photos.

Anita Harris’ inspiration to become block captain didn’t seem particularly ambitious when she started. “I needed something to do,” she explained.

Anita was already working fulltime as a secretary and raising her two daughters.  She simply wanted to make her block of 5300 Wyalusing safe and clean.

But I’ve learned to listen closely to Anita, because behind her efficient language is an ocean of commitment.

Early in Anita’s term as block captain, she met Skip Wiener of Urban Tree Connection. Skip’s organization was working with residents in the Haddington neighborhood to plant flower gardens and trees to rehabilitate crime-ridden vacant lots. Anita joined their efforts and was able to help build several gardens on and around her block.

Five years ago, Skip told Anita that he wanted to start growing food.  It was then that Anita devised a monumental plan for the ¾ acre abandoned lot behind her house.  The lot was once a construction company’s storage site, but it had been abandoned for over 30 years and still contained buried drums of oil and other hazardous construction waste.

“Why don’t we build a farm?” Anita asked as she showed Skip the property.

Skip remembers seeing the lot for the first time. “It was a nightmare. You couldn’t see a foot into the property because the weeds were so high. The space was being used as a chop shop, there were fires, nighttime prostitution, and drugs. It was a very dangerous place.”

For five years, Skip and Anita worked with residents, the city, volunteers, and organizations to clear the lot, remove the waste, replace the soil, and build an urban farm.  It has been slow and intense work, but The Farm at North 53^rd and Wyalusing is fully functional with three greenhouses, a packing shed, cold storage and compost stations.

The Farm produces and supplies fresh vegetables and herbs that are sold to Neighborhood Foods farm stands throughout Philadelphia. Anita spends her Saturdays picking, packing and selling the produce at the vegetable stand on the 600 block of North 53^rd Street, right around the corner from her home.

The 53^rd Street farm stand will open once more this year on Saturday, November 23^rd from 10 a.m. – 2 p.m. to help families prepare for Thanksgiving.

2013 West Philly Local Pumpkin Carving Contest Readers’ Choice Winner Milena Velis.

On first glance, Milena Velis’s carved pumpkin seems out of place.

A thick, padlocked chain marks an X in front of a fence. In the distance, the moon rises above a school building framed by bare, gangly trees.

It’s an image in stark contrast to the werewolf, skeletons, pumpkin heads, and haunted forest that comprised the entries in West Philly Local’s 2013 Pumpkin Carving Contest. But while Velis’s pumpkin may not show a spooky motif synonymous with Halloween, it could be considered the most frightening of them all.

After all, what’s more terrifying than the School District of Philadelphia shuttering 24 schools—including local University City High School and Alexander Wilson Elementary—and laying off nearly 3,000 staff members in the face of steep budget cuts and choked funding?

The chilling implications of the public education crisis on Philadelphia and its families is largely why Velis’s pumpkin, which took two days to design and nearly three days to carve, won Readers’ Choice in the contest. To the many West Philly Local readers who voted, her pumpkin symbolized the “scariest thing” to happen to Philadelphia this year. Velis said this was her intention with her Scariest Pumpkin category entry—to memorialize what happened at the beginning of the school year.

“Part of it is just that there’s something so unbelievable about the permanent closing of schools that it does take a while to process it. That’s true for a lot of people,” Velis, a 29-year-old Cedar Park resident, told West Philly Local. Continue Reading

Editor’s Note: West Philly Local is proud to present the second in a series of vignettes of local block captains drawn from Them That Do, a multimedia documentary project and community blog by West Philly-based award-winning photographer Lori Waselchuk. The first profile ran last week.

Maureen Tate became a gardener because of a killing.

In the 1980s, during the era Maureen calls the “The Crack Period,” Cedar Park neighborhood residents organized drug vigils on the corner of 49^th Street and Baltimore Avenue where they would stand in shifts all night and ‘stare down dealers’ to try to prevent them from doing business.

“We were trying to regain control of our streets,” Maureen explained.

Another intimidating location was the vacant lot at the corner of 49^th and Florence Avenue. “The corner lot was trashed all the time and it was dangerous,” said Maureen, who has been the block captain of 4800 Florence Avenue since 1982. “The neighbors were feeling really threatened.”

When a Vietnamese immigrant was murdered in his home next to that lot in 1983, she and her neighbors decided to act. They removed the trash, built flower beds and filled them with daisies, lilies, and tulips. They named it Florence Garden. “Our garden made us feel we were reclaiming that space and staking our presence.”

The transformation required patience, and several years of work. Maureen laughs when she thinks about how little she knew about growing things. “Everything I know about gardening, I learned at Florence Garden.”

She and a handful of others maintained Florence Garden for 20 years. It won second place in the city’s garden contest in 1989.

“It was beautiful.”

Eventually the city sold the property in a sheriff sale and developers built four townhouses.

Cedar Park is now experiencing a period of more stability and reinvestment. “It’s such a relief to see happy people on our street.” Tate remains very active on her block as well as with Cedar Park Neighbors. She continues to garden in public spaces, organizing crews to build and maintain flower beds around Cedar Park.

West Philly Local is proud to present a series of vignettes of local block captains drawn from Them That Do, a multimedia documentary project and community blog by photographer and videographer Lori Waselchuk. We profiled Waselchuk in 2011 upon the release of her book Grace Before Dying. She lives in West Philadelphia and Them That Do begins with stories close to home. West Philly Local will publish a ten-part series featuring a block captain profile every Wednesday.

Waselchuk is an award-winning photographer and author. She began Them That Do as a 2012 Pew Fellowship for the Arts.

Thirty years ago Gregory Pac Cojulun walked into his first neighborhood meeting. He walked out a block captain. “I was ambushed,” Cojulun said with smile that hinted that all was forgiven. “I just wanted to see how things were going and they nominated and voted for me.”

Now in his sixties, Pac Cojulun needs a cane to walk, but rarely sits down. He is still the block captain, but his bigger commitment is given to Malcolm X Park.

Cojulun likes to network on behalf of his neighbors. “I’ve met a lot of different people in different agencies. I’ve gotten to the point I can call people up and they recognize me.” He is also the president of the board that maintains Malcolm X Park, which he says can demand 60-70 hours of his time a week.

“Our park was a thug park in the 60’s and 70’s. Nobody wanted to come through it,” said Cojulun. Through a grant from the Pennsylvania Horticultural Society nearly twenty years ago, a small group of residents began to clean up and restore the park. Today the park is an active cultural and social center in West Philadelphia. Cojulun says that it has been a slow process to revitalize Malcolm X Park and the board’s ability to plan programming and make improvements depends on donations.

Cojulun’s pride, though, is apparent. During a recent theater event, he walked slowly around the park’s centerpiece, a large round gazebo, checking in on young and giggling high school actors. He proudly watches and greets them as they prepare for a theatrical performance. “We try to make sure everything is done right, and make sure the people are happy,” he said.

Emma Copley Eisenberg / Photo by Keith Alan Sprouse.

The short story “44 True Things About Being Gone,” written by Emma Copley Eisenberg while she lived on 45th and Springfield in 2011, was chosen by writer Maile Meloy as the winner of the 2013 Montana Prize in Fiction and appears in the current issue of CutBank Literary Magazine. The story is set in West Philadelphia and features a friendship between a young, queer, white woman from West Virginia who works at a coffee shop in Center City and a young black male PhD candidate who’s recently left a Rastafarian community in Germantown.

The Baltimore Avenue corridor features prominently as well as other notable Philadelphia locales, and the piece benefited from feedback from the members of local Kelly Writers House-affiliated Backyard Writers club. Eisenberg says, “West Philadelphia is essential to this story. I wanted to highlight the connections and friendships I saw springing up in the neighborhood that crossed lines of geography and class and sexuality and race. People living in close proximity make these relationships more likely, but there is something about West Philadelphia that makes them magic.”

By the way, Eisenberg also contributed to West Philly Local while she lived in West Philly.

To read the story, click on the link below.

http://www.cutbankonline.org/cutbank-79-44-true-things-about-being-gone/