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Zora plays and we all get a lesson on West Philly playgrounds

Posted on 04 April 2012 by Mike Lyons

playground

West Philly resident Michael Froehlich and his 2-year-old daughter Zora love playgrounds. No wait, they really love playgrounds.

What began as the occasional bicycle excursion from their home on 48th Street to nearby playgrounds like Malcolm X. Park has turned into a full-on quest to document a bunch of playgrounds in this part of the city – 31 playgrounds in all.

“We went a little overboard,” said Froehlich, a legal aid attorney.

The result, the website zoraplays, is an invaluable guide to playgrounds that includes photos of equipment, sketches of the playground’s layout and a map showing the location. Each playground was within a mile of their home.

Froehlich said he and Zora’s goal is to help convince people that there is fun beyond the usual spots like Clark Park and Cedar Park.

“I hope that this project will show people that there are a lot of great playgrounds in our community so they should get on their bicycles and ride out and explore them,” he said.

The big question, of course, is which is Zora’s fav?

“I’d like to say that Zora has developed a discerning eye for quality playgrounds,” said Froehlich. “But the truth is that she loves all playgrounds. Tall slides, wide slides, single slides, double slides: she digs them all with the same gusto.”

As for Froehlich himself? “Malcolm X. Park,” he said. “There’s so much there.”

playground
A map of the Christy Recreation Center playground at 56th and Christian from zoraplays.com. (click to enlarge)

 
– Emma Eisenberg contributed to this story

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Abstract Art Exhibit to open Friday at UCAL Gallery

Posted on 08 March 2012 by emmae

Paul King – Maven.

 
University City Arts League brings us West Philly Abstraction, presenting eight West Philadelphia artists whose works have been exhibited internationally and are part of major museum collections, and who all participate in the abstract tradition.

The opening will be held this Friday, March 9 from 6-8 p.m. at 4226 Spruce Street.

From UCAL:

Marina Borker – Big Block Plane.

Marina Borker began as a painter but moved into the realm of stained glass. Focusing on the leading of the glass, perhaps more so than the colored glass itself, Borker’s recent pieces exist in space like transparent line drawings. Borker holds an MFA from Tyler School of Art, and her work has been exhibited at Vox Populi, Nexus Foundation for Today’s Art, and Fleisher Art Memorial.

Robert Goodman‘s densely painted works pull the viewer into a swirling vortex of color and gestural energy.  Currently teaching at Moore College of Art, he holds an MFA from Tyler School of Art and was the recipient of a 2008 Pennsylvania Council on the Arts Fellowship for Painting.

Paul King takes a contemporary yet unabashedly expressionist approach to abstraction. His gestural canvases nevertheless show a firm devotion to the sensitive and disciplined painterliness of Cezanne. Paul King’s work has been shown regularly in the Philadelphia area for the past two decades and is in the permanent collection of the Woodmere Art Museum. He teaches at The University of the Arts.

Alice Oh, winner of a Pew Fellowship in the Arts, makes paintings that are built up from small color shapes and components. They evoke natural growth and progression as a metaphor for contemporary human living. Alice Oh’s works are in the collection of The Philadelphia Museum of Art and Yale University. She holds an MFA from Yale University and currently teaches at Moore College of Art.

Caroline Letham Santa traverses a territory somewhere between painting, drawing, and arguably, sculpture. Her recent works made of paper that has been found, aged, distressed, folded, and, as the artist states, “stored” and “transported” result in visual experiences that exist outside a realm of verbal definition. Caroline Letham Santa received her MFA from the University of Pennsylvania She has exhibited in curated group shows regionally and has had two solo exhibitions with the collective Tiger Strikes Asteroid.

Tremain Smith makes hybridized oil/encaustic paintings whose imagery and color hang together in building-block-like structures. She interprets the lines and planes she creates as bridges or passageways; doors, walls and floor plans to inner realities. Smith’s work is in the permanent collection of The Metropolitan Museum of Art, as well as numerous corporate and private collections.

Todd Keyser – Cave. (Photos courtesy UCAL).

Todd Keyser collides strategies of abstraction with the ultimate form of illusion: photography. Layering abstract painting actions upon found photographs of caves, Keyser chips away at the perennial conceptual dichotomy of seeing versus belief. Keyser holds an MFA from the Maryland Institute College of Art. Recent exhibition venues for his work include Rebekah Templeton Gallery (Philadelphia) and the Delaware Center for Contemporary Art in Wilmington.

Douglas Witmer takes an intuitive approach that combines simple geometric imagery, emphatic color, and subtle manipulation of surface physicality. It is an inquiry into the materiality of seeing, perception, feeling and memory. Douglas Witmer holds an MFA from the Pennsylvania Academy of the Fine Arts. His work has been the subject of 10 solo shows nationally and curated group shows internationally, including such venues at MoMA PS1 in New York.

– Emma Eisenberg

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Hot young literary culture site seeks Philadelphia contributors

Posted on 07 March 2012 by emmae

In November 2010, over beers in Kensington’s El Bar, West Philadelphia resident Jesse Montgomery and friend Alex Shephard, two bibliophiles and voracious cultural consumers right out of Oberlin College, surveyed their options as literary career hopefuls in the uncertain world of publishing and literary criticism. Instead of accepting the dark pronouncements on how books and literary culture are dead among young people, Montgomery and Shephard set out to craft their own online community, Full Stop, that would be committed to “an earnest, expansive, and rigorous discussion of literature and literary culture.”

Montgomery and Shephard brought on as editors former Oberlin classmates Max Rivlin-Nadler, Amanda Shubert, and Eric Jett (who also designed the sleek website look), partnered with Google Ads (later replaced by Lit Breaker), and hit the ground running in January 2011. Starting out by publishing reviews and interviews and later expanding to include features and a daily blog, Full Stop “aims to focus on young writers, works in translation, and books we feel are being neglected by other outlets while engaging with the significant changes occurring in the publishing industry and the evolution of print media.”

In December 2011, in response to what the Full Stop editors characterized as “a year of global unrest,” they launched a new series called “The Situation in American Writing” inspired by a 1939 Partisan Review questionnaire that asked leading writers of that time about literature, politics, and the intersections between the two. “The Situation” spoke with prominent contemporary writers including George Saunders, Marilynn Robinson, Steve Almond, and Aimee Bender, and was picked up by such publications as The New Yorker, The Millions, The Rumpus, The LA Times, HTMLGIANT, and The Daily Beast.

When asked what was on the horizon for Full Stop, Montgomery wrote, “We just launched a new series called “Thinking the Present” that focuses on contemporary political questions and current non-fiction. Expect a series on pedagogy soon as well as more puns about birds and basketball.”

Despite the scattered locations of the other editors (New York City, Northampton, and Charleston, W.Va), Montgomery says he’d like to give Full Stop more of a local Philadelphia focus and was excited about running more content specific to Philadelphia readers.

If you’re interested in contributing to Full Stop, contact Jesse Montgomery at: jesse [at] full-stop.net

Emma Eisenberg

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Local books are worth it

Posted on 22 February 2012 by WPL

Though West Philadelphia has long been on the forefront of the Philadelphia food justice movement that aims to obtain what we eat from local sources and/or sources that pay the producers fairly, the same cannot be said for what West Philly folks read. In the past three years, West Philadelphians, especially the academic communities of the University of Pennsylvania and Drexel University that have traditionally supported local booksellers, have been steadily and increasingly turning away from them in favor of Amazon.com.

Obviously, we’re not alone. The national market for books has been utterly transformed since Amazon came onto the scene in 1996. According to 2011 research done by Albert Greco, a Fordham University marketing professor who studies book retailing, Amazon has 22.6% of the book market — ahead of Barnes & Noble (17.3%), Borders (8.1%), Books-A-Million (3%) and independents (6%) with the remainder of the market going to various other non-book based retailers including price clubs, supermarkets, and convenience stores.

Full disclosure: I work at a local independent West Philadelphia bookstore, Penn Book Center (not to be confused with the Barnes and Noble, Penn Bookstore). Thanks to Penn and Drexel professors who choose to stock their required course texts at an independent bookstore, each September and January the PBC fills up with student customers excited to purchase their coursebooks. But the store also fills up with other students squatting in the aisles with iPods, droids, laptops, or just pen and paper in hand, with no intention to purchase books, but rather to copy down the ISBN numbers so that they can go purchase the books on Amazon.

The explanation I hear most frequently from these students is that Amazon is simply cheaper, a huge factor especially for students who are demanded to buy large quantities of expensive textbooks. The explanation I hear most often from my friends and peers who opt for Amazon—young professionals who are book lovers of varying levels—is that Amazon is also convenient, allowing exceedingly busy people who can’t make it to a bookstore during business hours to shop efficiently.

The parallel to the local food movement raised at the beginning of this piece becomes relevant here: these are precisely the points of resistance that local food activists face in trying to create and nurture systems of connecting West Philadelphians with locally and fairly grown food. It may be faster, more convenient, and slightly cheaper to buy a burger at McDonalds on 40th & Walnut or Checkers on 48th & Lancaster than it is to buy the necessary component ingredients at Mariposa Food Co-Op (even when subbing tofu or veggie burger for beef), but a growing number of West Philadelphians would agree that it is “worth it” to do so. During my recent new member orientation at Mariposa, I got educated on the historical context of the move towards food cooperatives and the history of West Philly residents’ commitment to food justice. We talked about what it meant to be a co-op member and how it was an investment in the community of West Philadelphia.

Yet, when it comes to books, perhaps many of us know it’s vaguely bad to purchase them from the multinational corporation that is Amazon, but could any of us really articulate why it’s “worth it” to buy books locally?

Here are three big reasons:

1) Amazon is steadily and systematically driving down the cost (read value) of books, a trend that will dramatically affect what books publishers are able to offer us, as readers. Selling books at deeply discounted prices often means that Amazon itself is taking a loss on book sales, figuring it will recoup this money through the sales generated when that book customer becomes an electronics or music or clothing customer. Amazon recently declared they would sell all ebooks for $9.99 regardless of publisher’s costs, effectively setting a hard price ceiling. Says Teresa Nielsen Hayde, an editor at Tor Books (an imprint of Macmillan), this price fixing in print and ebook publishing has taken a “shark-sized bite out of the market for hot new bestsellers, which is trade book publishing’s single most profitable area. That revenue source is what keeps a lot of publishing companies afloat. It provides the liquidity that enables them to buy and publish smaller and less commercially secure titles: odd books, books by unknown writers, books with limited but enthusiastic audiences, et cetera.” The result, she says, is “fewer and less diverse titles overall, published less well than they are now.”

2) Spending money in our local Philadelphia community puts money back into our local economy. No, really. The owners of West Philadelphia bookstores, House of Our Own (Debbie Sanford), The Last Word (Larry Maltz), and Bindlestiffs (Alexis Buss) are all West Philadelphia residents. Penn Book Center owners Michael Rowe and Ashley Montague are Philadelphia residents who employ almost all West Philadelphia staff. Spending a dollar at one of these local stores means they will then spend that dollar at the hardware store, or the grocery store, or on rent to their West Philly landlords, meaning the money changes hands several times within our community before it leaves. A dollar spent at Amazon supports nothing but Amazon.

3) Our local stores can do everything Amazon can do, sometimes for not much more, sometimes for less. Want a good used book of a common title for a class? The Last Word is truly a used book mecca. Want a rare, out of print, or just a not commonly available title? Penn Book Center will order it for you. And just like produce can sometimes be cheaper at Mariposa than at Fresh Grocer (whereas cereal certainly is not), it’s worth thinking critically about the different types of books you’re looking for and where it makes sense to get them from. House of Our Own and Penn Book Center, as they operate on independent business models set by different people with different wisdom, are sometimes able to offer better deals on packaged coursebooks and/or commonly used paperbacks than is Amazon.

As of February 18th, 2012, Mariposa Food Co-op has 1,225 members and counting.

Imagine if 1,225 West Philadelphians joined together in intentional commitment to buying books from local vendors at fair market prices? Imagine what kind of statement that would make about us as a neighborhood, about us as an intellectual community that values the service that print publishing houses provide and the life-changing creative work that writers offer. That’s a community I’d like to live in.

Emma Eisenberg

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Help publish people’s history of progressive Jewish activism

Posted on 10 February 2012 by emmae

West Philadelphia independent small press, Thread Makes Blanket has announced that its next project will be its first full-length book entitled Justice, Justice Shall You Pursue: A History of New Jewish Agenda by local writer, performer, and organizer Ezra Berkley Nepon. Justice is a historical work that documents the history and legacy of New Jewish Agenda, a national grassroots democratic organization prominent from 1980 to 1992, that organized a progressive Jewish voice for the political issues of their time, including peace and justice in the Middle East and Central America, Worldwide Nuclear Disarmament, economic justice in the U.S., and a powerful Jewish Feminist Taskforce that included work on LGBT issues and the emergence of the AIDS pandemic. Furthermore, the movement that NJA created united activists from a wide range of religious and secular communities.

Ezra Berkley Nepon.

Nepon, who is also the author of the 2010 play Between Two Worlds: Who Loved You Before You Were Mine and who recently spent three years in NYC working for transgender rights with the Sylvia Rivera Law Project, says of the book, “My passion for telling this story is informed by my own commitments to feminism, anti-racism, Palestinian solidarity, and queer liberation. I researched this history by digging through archive boxes at NYU’s Tamiment Archives, interviewing seven former members, reading every relevant book I could get my hands on, and asking every Jewish activist I met what they remembered about NJA. In 2006, I turned that research into a website to make the information publicly available. Now, I’m asking for your help to publish a book that can be passed from hand-to-hand to share this crucial people’s history of progressive Jewish activism.”

With just 11 days left in its IndieGogo campaign, Nepon and Thread Makes Blanket have just under $1,000 left to raise. If you’re interested in radical Jewish history, People’s History, or history of social movements, consider supporting the project. The book features original cover art by Abigail Miller, and backers may also choose to receive a Celebrate People’s History poster in collaboration with Justseeds Artists’ Cooperative.

For more information or to support the project, click here.

Emma Eisenberg

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Second Friday Gallery Crawl

Posted on 09 February 2012 by emmae

This second Friday, Feb. 10 is jam packed with exciting art openings in West Philadelphia. Check out the listings below and make your very own second Friday gallery crawl. From textiles to video installation to art by your next door neighbor, these shows promise big excitement with some local flavor.

 

Banished: Marie Alarcon

The AIR Gallery, 4007 Chestnut Street, 6-9 p.m. (Through March 2)

Banished is a curation of short video and installation pieces by 40th Street Artist-In-Residence Marie Alarcon that deal with transformation. Banished explores cathartic expulsion and violent removal, sometimes initiated by the subject, at other times imposed by another. One of the pieces, MAGIcicada, a 5-minute video, follows a magical ritual of transformation created through live action, animation, and video collage.  “She Lost Her Wings Before She Could Fly,” is a video of devotion in dreams. http://mariedaphnie.com

 

Textile Art: A Lifelong Collection

Art on the Avenue Gallery, 3808 Lancaster Avenue, 5-8 p.m. (Through April 7)

This unique collection of textile, garments and ornaments from Mexico, South and Central America, Asia and Africa has grown over 45 years of traveling, living and working in these parts of the world. The artistic talent exhibited in weaving, embroidering and sewing these artifacts is exquisite and each object has a story to tell. http://lancasteravenuearts.com

 

Carlos Urenia & Cloris Lowe

Correction: Opening Saturday, Feb. 11. Gallery 13 W, 4504 Regent St, 7-10 p.m. (Through April 13)

Two-dimensional/installation artist Ramon Carlos Urenia will present work along with woodworker and 3d artist Cloris Lowe, who will show sculpture from his One a Day Series (pictured left). Lowe explores construction and ownership through small found object sculptures made from household objects (superglue caps, playing cards, clothespins and more). Urenia layers paint on wood to address de-construction and abandonment, saying “My current work is a direct reflection of my environment, specifically the abandoned urban spaces and neglected commercial lots of Philadelphia and Brooklyn.” http://www.gallery13w.com

 

7th Annual Fun-A-Day

Studio 34, 4522 Baltimore Avenue, 7-11 p.m. (Through February 11)

Organized by the Artclash Collective, a Philadelphia-based group of artists who organize free non-juried art projects and shows that aim to be fun, inclusive and participatory, the Fun-A-Day show features Philadelphia residents who created a work of art every day for the month of January. Come out to support your friends and neighbors as they display visual art, sculpture, installation, musical performance, and literary work.

The show opens on Friday, Feb. 10 from 7-11 p.m. On Saturday, Feb. 11 there will be an open mic style reading for written work from 5-7 p.m., followed by the main show from 7-11 p.m.

http://www.studio34yoga.com/2011/01/art-7th-annual-fun-a-day-art-show-211-12/

 

Emma Eisenberg

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