West Philly resident Jay Sand has big, big plans to expand his popular world music program for youths that began out of his Pine Street living room. Sand’s goal is “to create the opportunity for every child to meet the world through music.”

Jay Sand

Sand, who has taught more than 1,000 classes to neighborhood kids, has launched an ambitious campaign to crowdfund this expansion. Last spring he took his program, which combines music and cultural exploration, into the public schools. His curriculum includes some 300 songs from more than 100 countries.

Now he wants to make it even more accessible to kids throughout the city regardless of income. Part of that plan is to create a series of CDs (and digital music) with all kinds of performers. He has already released one – All Around this World: Latin America – this fall. And two more, which will include music from Africa, are currently in post production. You can see some of the studio recordings in the video below.

So far he has self-financed these efforts, but now he is offering a chance for you to get involved through tax-deductible contributions (and get a special gift such as a CD or a “musical map” or even a free private concert for you and your family and friends).

To help promote his expansion, Sand is also putting on 24 straight one-hour webcast classes on December 7-8. You and yours can attend the free classes in person if you RSVP here. The classes start at 9 a.m. on Dec. 7 and Sand says the only song he will repeat during all of the classes is the Ugandan song “We Are Happy,” which he uses to mark the beginning of each class. Here is the schedule.

As always, we here at West Philly Local aim to keep neighbors abreast of community news and inform you of updates to that news. For today’s installment of updates, we’ve rounded up news about three big projects we’ve featured in the last three months that verge from the exciting (tacos!) to the conflicting (another expensive development!). And, of course, if there are other updates you’d love to know, we’d love to hear them in the comments.

Groundbreaking for Philadelphia Episcopal Cathedral’s $110 Million Development

Photo by West Philly Local.

Tomorrow, Philadelphia Episcopal Cathedral and Radnor Property Group (RPG) will hold a groundbreaking for 38Chestnut—the $110 million mixed-used development at 38^th and Chestnut Streets that will see the razing of two historic brownstones (pictured) formerly used as the Cathedral’s parish house. The demolition will make way for a three-prong 326,000 square-foot project (owned by 3737 Chestnut, LP and developed by RPG) to be completed in 2015, and will include the construction of an allegedly “state-of-the-art” 25-story apartment building targeting professionals and grad students, as well as the Episcopal Cathedral Center that features a three-story office building with ground floor retail, a community center, and an early-learning childcare center. Additionally, as part of a settlement with the Preservation Alliance, the development will also see the renovation and maintenance of the cathedral itself. The groundbreaking starts at 2 p.m. at the Cathedral, located at 13-19 South 38th Street.

As we reported in November, the demolition to the two 19th-century brownstones has been nothing but contentious since it made news last summer. In an 8-2 vote, the Philadelphia Historical Commission approved the Cathedral’s hardship application to bulldoze the two historically-sanctioned houses, which were on the list of Philadelphia Register of Historic Places. The Preservation Alliance appealed this decision almost immediately, but came to an agreement with the Commission in March, in which a 50-year preservation and restoration plan is implemented and maintained by the Cathedral, with project funds set aside for immediate work on the house of worship.  Continue Reading

On Sunday, Dec. 1, there will be a great opportunity to wind down your Thanksgiving weekend and learn more about other cultures at the 18th annual “Peace Around the World: Passport to Cultures” event at Penn Museum (3260 South St). This is a free event for the whole family. Visitors will receive museum “passports” with itineraries to visit different cultures (Brazilian, Cameroonian, Indian, Kenyan, Pakistani and more) and explore their holiday traditions.

The event includes a wide array of activities, such as dance, storytelling, sari-wrapping, yoga sessions, Middle Eastern drumming workshops, face painting and balloon art for children, and international family crafts. And of course, there will be free treats for children!

The event will take place from 1 to 4 p.m. and guests are also invited to bring a new, unwrapped toy donation that will go to a West Philadelphia charity. For more information about this event and schedule of activities, visit this page.

(Photo courtesy of Penn Museum)

Art part of “American Queen” series (Photo courtesy of Davis)

“Too many Basquiats. Not enough new artists.”

Black acrylic etches the lines of the first five words atop three stacked yellow crowns that run down the canvas’s vertical. The letters of the last two words—arguably the most prolific—are bold white on top a banner of black at the end, serving as the eyes of a symbolic queen. The background is a sea of baby blue with random strokes of white, red, navy and yellow.

In a way, Tiffany Davis’s anchor of her “American Queen” series—and the series itself, which includes “Never Condense Art,” a spin on Andy Warhol’s infamous soup cans—is both reverence and dismissal. For her series, the 29-year-old West Philadelphia artist (who goes by American Queen TJD (Facebook page)) takes elements from her favorite artists—like Jackson Pollack’s splashes or Jean-Michael Basquiat’s crown—and treats them as foundations for a larger purpose. Davis then washes the distinct trademarks away with her own deeply felt abstract expressionism—each canvas a kaleidoscope of color and words that call to a greater mission.

“Anybody can reproduce anything that Basquiat did, but why would you want to do it?,” Davis said, talking from her hotel room on Sunday as she waited for the Eagles game to begin. “I can probably make a name for myself [if I called] myself the female Basquiat, but why should I have to do that?”

Davis, who works during the day as a program director at Drexel University, hung up the hats of her successful fine art-cum-clothing line Cocky Persona last year in order to concentrate on the canvas-based visual work. It’s art that projects a message, with all canvas infected with the moments taking place in her life or in the world at large. (Her next string of pieces will reflect her recent trial — losing her rented South Philly home this past weekend to a fire. The day of our conversation, she was in the process of moving back to her childhood home at 56^th and Larchwood.) You can read it in the words that brand each canvas, like “Waste no time. Live,” “Breathe. Passion proves itself,” “Love you first,” or “Worth, state of mind”—positive reinforcements from the gut.  Continue Reading

The Woodlands.

An expansive swathe of history, The Woodlands is a majestic estate that is as overawing as it is rousing.

Once home to famous Philadelphia lawyer Andrew Hamilton, The Woodlands on 40^th Street and Woodland Avenue has transformed over the centuries from a 250-acre tract to a 53-acre manor featuring neoclassical architecture and lush greenery. And now the famous grounds, which made the National Historic Landmark District registry in 2006, is the inspiration of Elizabeth Gilbert’s new novel, The Signature of All Things (Viking), released last month.

Set in Philadelphia, The Signature of All Things is a tale of botanical history set over 120 years (from 1760 to 1880), with the main character family, the Whittakers, living at White Acre—the fictional manifestation of The Woodlands. According to her blog post on The Woodlands’ website, Gilbert—the novelist behind the wildly successful memoir-cum-movie Eat, Pray, Love—was inspired by the grandeur of The Woodlands, with particular focus on the carriage house and basement, which became a private botanical study and bedroom of the head housekeeper, respectively, in Gilbert’s first novel in 13 years. “So much of The Woodlands ended up in my novel—providing me with marvelous details which, I believe, help the book spring to life,” she writes.

“The Woodlands has now become so intrinsically entwined in my mind with White Acre that I can scarcely tell the two apart. I’ve been so grateful, as well, to the welcome that the curators of this great American treasure have given me — to the grounds, to the rooms, to the history,” she continues. “My hope is that my imagined story will draw very real readers to this very real place, so that The Woodlands will continue to get the appreciation it so richly deserves!”

Originally purchased by Andrew Hamilton in 1735, The Woodlands didn’t become the grand parkland it now is until 1786—20 years after Andrew’s grandson William inherited the grounds. That year, he built The Woodlands mansion with matching carriage house and stable, and “reshaped [it] to reflect contemporary English picturesque landscape and horticultural ideals.” Nestled on the Schuylkill River’s west bank, The Woodlands now features an elaborate Victorian rural cemetery, created in 1840, that is the resting place of over 30,000 people.

The Woodlands is open to the public from dawn to dusk. Pick up Gilbert’s novel, The Signature of All Things, in bookstores or online.

–Annamarya Scaccia

SEPTA has unveiled a very cool subway car today – it is fully wrapped with a colorful mural! The project is a collaboration between SEPTA and the Philadelphia Mural Arts program. This moving mural is titled “We Are All Neurons” and was designed and created with the help of local students participating in the Mural Arts Local Emerging Artists Projects (LEAPs). The students worked with the mural artist Benjamin Volta to “visualize their own brains as interconnected idea machines.” They drew hundreds of neurons, and they worked together to design a colorful vinyl wrap for a subway car.

The car with the “moving mural” was launched this morning at 69th St Transportation Center and will be used on Market-Frankford line so we hope you’ll be lucky to see it and ride in it.